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Graphic

Discover 745 award-winning designs tagged Graphic on Designite.

Superlimao Brand Identity

Superlimao

Superlimao is a brand identity created for a Brazilian architecture firm. The logo is inspired by grotesque typography, giving a sober tone that contrasts with a series of colorful illustrations and patterns. The identity includes business cards, stickers for closing envelopes, an institutional presentation and posters. The posters are printed on 75 gram offset paper and glued to walls and sidings to mark the office headquarters and the building sites. The visual language can be both sober and expressive, according to the message and the context.

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Portfolio Of A Jewelry Artist  Art Book

Portfolio Of A Jewelry Artist

An art book was designed to explore a question raised by a jewelry artist; our mental association process is now more dependent on online searching rather than our personal experiences or sensibilities. The book features 8 collages and keywords derived from an image search algorithm. The words are each printed separately on tracing paper so that the viewer can see either just the collage, or the combination of it with its keywords.

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2019 World Industrial Design Conference Visual Identity System

2019 World Industrial Design Conference

World Industrial Design Conference is a visual identity system created for a global industrial design event. The letter I in the conference logo is extended into a light cone, which is the main supporting graphic of the identity. The light cone stands for industry, integration, international exchange and innovation. Light cones in several colors rise upward and represent designers, design institutions, manufacturing companies and universities. The identity is applied in flat graphics and in three dimensional animation, guided by a set of design standards.

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Arch-able Typeface

Arch-able

Arch-able is a stencil typeface designed for digital fabrication. The typeface supports the Arch-able platform, which archives and distributes digital data of architects' designs. The character set includes 26 letters, 10 numbers and 26 symbols. All corners are rounded, so drill bits, laser cutters and other tools can reach and follow every corner. Many stencil typefaces have right angle corners that cannot be engraved. Arch-able removes that limit and helps beginners produce three-dimensional lettering with common tools.

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Option Poster Design

Option

Option is a poster design about women's rights. The poster asks women not to keep silent and to raise their voice to the world. The message also asks the public not to stay silent about an issue that happens around them every day. Silence is not an option for women or for the public. The central image is a cross symbol, taken from the marks placed on abandoned sketches and drafts during the review of the work. The cross states that silence is not an option. The poster measures 11 by 17 inches.

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Bomapp Brand Identity Design

Bomapp

Bomapp is a brand identity design created for an insurance technology company. The name Bomapp combines boheom, the Korean word for insurance, with the word map. The symbol, the motif graphics and the overall design convey the idea of embrace, which strengthens the brand identity. The logotype includes the letter B, drawn to reflect the golden ratio. The precise geometry is used to express trust and professionalism, the core values of the insurance industry. The logo appears in a single color, blue or white, depending on the background.

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Meat n Beer Brand Design

Meat n Beer

Meat n Beer is considered a flagship store selling specialty meats and beers. The inspiration for the logo came from the merging of their two flagship products. From traditional cattle heads with their pointed horns, transformed with an iconic design in a modern rustic wire frame vector, interacting with the other traditional element, the beer bottle. The union is in a positive and negative space, succinctly and elegantly into a single symbol where text and image form a single image. The typography plays and mixes an old style Industrial font with a more modern Script.

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Orfeo and Euridice Videogames

Orfeo and Euridice

The design has been developed in two directions, it is the focal point that creates the difference between the two opposing factions. For humans, design is composed of well-defined and clean forms. The choice of rigorous and clear shapes is functional to the interpretation of the world in which the protagonists find themselves, completely opposed to the design of their enemies both in materials and shapes, in fact the latter have a much more bionic and deformed design.

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Kechakenmi Character

Kechakenmi

The two gods who have to give up much because they are parents can not spread both wings. Contrary to the situation where you can empathize and laugh together, the blunt color represents the dark feelings of parents. This story is for all parents in this age who have to give up much for their families.

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Lord Qu Visual Identity

Lord Qu

Lord Qu is a visual identity created for a snack brand in Quzhou, China. The identity presents traditional Chinese food culture in a modern way for younger consumers. A character based on Confucius forms the central symbol, and the hair knot of the character is shaped like a steamed bun. Linear cartoon drawings connect the character with historical motifs such as the flying dragon, the Confucius Temple and auspicious clouds. A pig nose symbol is applied to steamers, tableware, lamps and seat backs in the restaurant space.

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Pleady Brand Elements and Communication Tools

Pleady

Pleady Branding is a brand identity program created for a specialized taping manufacturer. The program covers the brand name, the brand logo, packaging, websites, product catalogs, brand movies and trade show booths. The name joins the words play and ready. Communication is built around the tagline Tape or Lose and a key visual of a female runner, inspired by the line that runs through the logo. A yellow-green brand color marks the focus on athletes. Color management keeps the brand color consistent on paper, film and screens.

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Strange Poster Series

Strange

Strange is designed for a departmental exhibition Pratt Institute held in 2019, discussing the relationship between the humorous situation in a stand-up comedy and the different perspective audiences can get. Stand-up comedy has revealed a vivid instance of how violations are perceived differently among collective identities. This project is based on quantitative and qualitative research. The campaign provokes intersectional perspectives and undergoing social changes driven by shifts in collaboration.

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